![]() You can get that with your Traktors, Abletons because they all do all the work for you ala sync button and stretching. stick the record on two moves of the pitch control and their in (in as in mixing the records within 30 seconds) Carl Cox being one of them. I've been witness to people who have practiced the craft of djing like a fine art, from the days of 1210's and their non digital precision. Trust me Zak not just any fool can beatmatch in 5 mins not properly. ![]() If you want that and just want to focus on the tunes you play, then it's the better option. Traktor is really nice and smooth and simple and easy enviroment to mix with. I can also cut bits from my own or other people's tracks and use them if I feel like a transition is too weak and I want to keep the energy up a bit.īecause I just warp every track im going to play in about 5 seconds, the warping is not an issue to me. Live is particularly useful to me because I can play out quite long tracks but edit them live depending on crowd response. I use Live and sometimes I work with CDJs. I mean the original house tracks are just kids swearing over synthesisers! ew.īeing a hardware/vinyl snob is about as far from what DJing and electronic music have ever been about. ![]() Like DJing is the new classical music thing. I get really bored by people making this sort of rustic middle-class snooty look at people working with the new technology. Who gives a shit, really? The kind of music most of us make is inherently influenced by technology, and technological development. ![]() It's just spinning over a hundred times faster than vinyl.Īny fool can beat match given an hours practice. ![]()
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